Wednesday, 3 May 2017

Which Vintage synth should YOU buy??? How about NONE! And how G.A.S suffers can get their careers back on track

Hey! You!

Yeah, I'm taking to you member of once promising musical group or solo act. You're blowing it! Now , I know you just discovered Ebay and or CL and buying new synths/drum machines packs a slightly more intense rush the mainlining Cocaine (If you are doing that, stop reading and check yourself into the nearest rehab, do not pass go do not collect $200, nothing you do will make any difference until it's out of your life) but it's time someone leveled with you, because maybe you didn't know a few things, I will now alleviate that situation: Here are two things that will assist you're music career greatly to remember,

1. You're head is now up you're arse, you have G.A.S (Gear acquisition syndrome)

2. The difference between a poly 6, Juno 6-106 , AX80, Kwai SX 40 is........... .........NOTHING! Within the context of a song, a band a record....an actual MUSIC CAREER. You have to remember this is VSE, this is where the dweebs will actually pull out the oscilloscope and compare saw waves like they are in the men's room comparing units. I'm not going to tell you analog isn't important, it is, and if you want your synth to rock out in the classic sense you'll need one, although there are some great digitals out there that will handle the job and then some. But why are you dicking around trying to find another a synth? The truth is, a Micro Korg would be more than enough unless you are doing synth showcase music (In which case you always be broke anyway) so you and the other champions of life you work with need to understand this. here's some golden advice you can heed it or not, but if you take it you are going to see some things happen: Stop screwing around with any time wasting BS like what synth, instead concentrate your efforts on learning to write songs and the skills necessary to record them, as a third "Time investment" learn what you can about branding and marketing, then familiarize yourself with exactly where revenue comes from in the music business and how it is distributed, practice all aspects of your craft daily. And lastly learn to perform Do this for a year then come back here and tell me you give a s%$t whether a Juno is a DCO or a poly 6 sounds mushier

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